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Entries from May 2009

Coming Attractions: Sherlock Holmes

May 19, 2009 · Leave a Comment

I’m not prone to just talking about any upcoming new releases.  It’d be pointless to alert people to the news that there’s a new Terminator film or a new Transformers movie.  I mean, the saturation of advertisements does that job for me.  My goal is to always spread the word about films that people might not be aware of and share one or two of my opinions about what the film looks to be about in terms of plot and quality.  This is why I’m mentioning the upcoming film from Guy Ritchie starring Robert Downey Jr., Jude Law, and Mark Strong.  A film that at first glance and description raises an eyebrow or two and makes many a viewer pretty much react, “huh,” with a sense of indifference and slight curiosity.  This film is a retelling of the legend of Sherlock Holmes with Downey Jr. as the master detective and Law as his trusty partner.  The unique vision for the project could easily turn off lifelong fans of the character, but… for some reason… I trust the parties involved with telling a much different tale than we’ve seen before.  Also, at the end of the day, the best Sherlock Holmes movie has been and always be the Seven Per-Cent Solution, so if this is a bust, we’ll always have that gem of a picture.

Synopsis:  In a dynamic new portrayal of Arthur Conan Doyle’s most famous characters, Sherlock Holmes sends Holmes and his stalwart partner Watson on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes will battle as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country.

Release Date:  November 20, 2009

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Why I Like Bad Movies: Sky High

May 18, 2009 · Leave a Comment

skyhigh.jpgDisney family films don’t tend to register on my radar too often.  When they do, it’s usually to shake my head in shame at the current state of action stars like the Rock and Vin Diesel doing ridiculous family films to pay their mortgages.  One could assume that since I’m a huge comic book fan that I’ll immediately gravitate towards steeped in comic book references or plotting.  That’s a poor assumption.  I’ve hated many a “comic book movie” so don’t think just ’cause it’s got people in tights flying around and saving the day, it’s an automatic “gimme” for membership on my DVD shelf.

The film follows teenager Will Stronghold (played by Michael Angarano) who is about to enter Sky High, the high school for the children of superheroes.  Will’s parents happen to be the world famous crime-fighting duo of The Commander (Kurt Russell) and Jetstream (Kelly Preston) and he’s expected to inherit some of their powers and carry on the family name.  Problem is… he hasn’t gotten any powers yet.  This places him in the “sidekick” clique in Sky High (with the “hero” clique being the popular and powerful kids).  The metaphors in Sky High are blatantly obvious.  Cliques, puberty, crushes, and betrayals are all hammered home with the subtly of Rambo.  That’s not the point, though.  This film isn’t about subtly or original concepts.  It’s about a quaint tale of high school and setting it against the backdrop of the superhero world with a truly great supporting cast made up of Bruce Campbell, Dave Foley, Kevin McDonald, Linda Carter, and Kevin Hefferman.  Every actor shows up with the right about of enthuiasm for their character and makes their small scenes stand out without making the film seem crowded. Angarano and his costars make what could feel like a rejected cast from the Freaks and Geeks instead seems slightly charming.  Also, the superhero element never feels misused as cliched and hollow, but rather creates a backdrop that could be anyone’s favorite comic book universe.

With special effects hold up well on rewatching, the young actors involved hold their own, and Sky High itself remains a solid example of why I like bad movies.

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TV Shows -> DVD: Studio 60 on the Sunset Strip

May 18, 2009 · Leave a Comment

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Sometimes something can be too good.  A perfect cast, a perfect writing team, a perfect timeslot, and perfect showrunners would lead someone expect unbridled success for a television show.  In the case of Studio 60 on the Sunset Strip, it meant, what some considered, an unmitigated disaster.   In 2006, Aaron Sorkin was making his triumphant return to television.  After his previous venture, the West Wing, had wrapped its final season (albeit without him or partner Thomas Schlame since they had departed from the show in 2003).  NBC was frantically looking for their next big tentpole show.  Sorkin had spent his time apart from working on the West Wing developing many new properties for theater and television and the one he most wanted to work on followed the behind-the-scene drama of running a late-night comedy show.  NBC was intrigued and approved the commission of a pilot.  Casting was announced with Bradley Whitford (a veteren of Sorkin’s the West Wing), Matthew Perry (who played Chandler Bing on Friends), Amanda Peet, Timothy Busfield, Steven Webber, and D.L. Hughley.  Initaial hopes for the show were extremely high and the series was greenlit upon postive response to the well-crafted pilot episode.   Critics, though, were slightly apprehensive about the show.  Sorkin had a great deal riding on this, his third television effort (the dramedy Sports Night on ABC had preceded West Wing on television), and the pressure to have an instant success was most likely the number one killer of the show.  The public’s expectations were never going to be met and the constant comparisons to Sorkin’s other work were inevitable.  The show was pulled mid season and was not renewed for a second order.

This is an extremely unfortunate turn of events because there is really nothing wrong with Studio 60.  It’s actually a great show.  Sorkin is known for creating compelling and charming characters and delivering winning dialogue for them to recite and Schlame can set up an episode’s look and feel to be almost cinema-worthy.  It does become evident over the course of the season that a powerplay between the showrunners and the network was brewing.  Stories felt less logical, subplots felt forced, and the trajectory of the show started to slide, but viewers who stuck with it could still feel Sorkin’s hands attempting to keep his characters alive, but the ship had sailed.  NBC dropped the last batch of episodes for final viewing with no fanfare and wrapped the show swiftly with the showrunners trying to satisfy as many lingering threads as they could.

This leaves us with a complete series of episodes following some winning characters, some intriguing stories, and some misfire attempts at perfection.  In a sense, that’s an apt description for everyday life, can’t it?  Give this series a shot and see for yourself.  I don’t expect everyone to enjoy it, but I do expect people to smile at least once.

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Purchased on Wednesday (cont’d): BPRD: The Warning, Nova vol. 4, Scalped vol. 4, Astounding Wolf-Man vol. 2, Thor: Ages of Thunder HC

May 8, 2009 · Leave a Comment

BPRD10WARNINGTP.jpgBPRD: The Warning:  Dark Horse has taken to publishing their Hellboy spin-off series, the BPRD, as a series of mini-series and it has so far worked out pretty well for the title.  Mike Mignola, John Arcudi and Guy Davis have been the creative team on almost every book in the BPRD series thus far and have been crafting quite the complex story for the core group of characters to follow.  Fans of the Hellboy property know Abe Sapien, Liz Sherman, and Johann Krause, but characters like Roger the Homunculus, Capt. Benjamin Daimio, and Kate Corrigan are somewhat new to people who have read a few Hellboy books or just seen the films.   There are many plotlines going on in the title at the moment from Capt. Daimio’s secrets to Abe’s origins to Liz’s importance to a coming war.  In the background (and in some books, the main plot) is a war with a race of creatures referred to as “the frogs” and their involvement in the destruction of the human race.  Dynamic characters and amazing art are a staple of the Hellboy series and the spin-off BPRD series manages to stand on its own with head held high.

nova_v4_cov.jpgNova vol. 4:  To say I’m a fan of the Nova series from Marvel would be an understatement.  I’ve had an affection for the character since the New Warriors series in the early 90′s, but had pretty much lost track of him with every mishandling of him since that series insistence on giving him a five o’clock shadow and a ponytail (really, what was wrong with us in the 90′s anyway?).  Dan Abnett and Andy Lanning (the affectionately named DnA writing team from the UK) have pretty much been given the keys to Marvel’s cosmic characters with AnnihilationGuardians of the Galaxy, and War of Kings and have shot every series out of the park.  The duo seem to be able to call all of the shots in their corner of the universe with any characters that they wish and that’s what can make a book like Nova work so well:  You never know what’s going to happen next.  This is what can truly make for a good comic.  You have an everyman hero that your reader can relate to (Nova’s alter ego, Richard Rider, constantly refers to himself as, “just a kid from Long Island”) and have him thrown into insane situations such as tracking down a serial killing, body-hopping alien during a planet’s final destruction by Galactus.  You have a guest star list that includes Darkhawk, the Silver Surfer, and Super Skrull.  You have plot twists that show just how much Nova can’t rely on anyone but himself.  Best of all, you have extremely clear and detailed action scenes from talent like Wellington Alves and Andrea Di Vito that really makes the book feel balanced between emotional and thrilling moments.  Nova is a book that I’ll most likely never cut from my pull list and even buy in trade and hardcover just to keep all the stories in one place.  Highly recommended for fans of great comics.

11380_400x600.jpgScalped vol. 4:  Fans of noir and gritty southwestern drama alike can take heart knowing that a series like Scalped exists.  Jason Aaron carved his name in the pantheon of Vertigo’s top creators by crafting a story of the dark secrets that lie on a Native American reservation populated by “villains” that are almost more complex and interesting the “heroes” (I really do emphasize the “almost” there).  When I started this series, it seemed like pretty straight forward crime fiction in the vein of Elmore Leonard or James Ellroy with an emphasis on a formerly proud people and the corruption that they have to endure.  As the series has progressed, though, something amazing happened:  the main villain became one of the most sympathetic characters in the whole book.  That’s Aaron’s true achievement with this series.  The antagonist, Chief Lincoln Red Crow, who at first glance could have easily just been a Native American version of Marvel’s Kingpin, has had layers and layers of depth added to his portrayal until you are entranced by his story along with the stories of the other characters like main protagonist Dashiel Bad Horse, our anti-hero, or Dino Poor Bear, who you just know has a larger part to play down the line.  That’s the true beauty of Scalped:  It’s not about wondering what will happen next, it’s about wondering what new aspect of a character will draw you closer to them.

wolfman_vol2_cov.jpgAstounding Wolf-Man vol. 2:   Robert Kirkman is an idea man.  He was obviously raised on a steady supply of 90′s Marvel comics and must have been constanly jotting notes in his margins about characters he wanted to one day explore in comics.  Thankfully, not only did he eventually achieve the success to do that as a full-time gig (and a new member of the Image partners), but he’s actually an extremely capable writer who not only creates human characters that come off as realistic and series that always zig when you think they’ll zag.  Whether it’s the Walking Dead or Invincible or Tech Jacket, Kirkman never rests on his laurels.  It’s for that reason that I leapt into his latest series, the Astounding Wolf-Man, with open arms and little to no trepidation.  The series follows Gary Hampton, a successful CEO who is bitten by a werewolf while on vacation with his family.  Hampton realizes the effect of the bite and what it means to his life and decides to combine his money and his newfound powers to fight for justice as the Wolf-Man.  Unfortunately, things don’t go as planned.  The second volume picks up on the cliffhanger of the previous one and also lays the groundwork for upcoming storylines while addressing the backstory and motivations of characters that are lining up to be the main antagonists.  Penciler Jason Howard is a find.  His simple style is almost like something from the DC Animated titles but he is able to handle gory action as deftly as emotional melodrama.  The book is one of my favorites from Image and I’m eagerly awaiting the next installment.

thoraot_hc_cov.jpgThor: Ages of Thunder HC:  Matt Fraction is a god.  I don’t say this for embellishment.  Based on how he writes a Thor comic, it’s obvious that Matt Fraction has a little bit of a god in him.  I’m not one for the sword and sorcery set.  I am not a Wheel of Time or Lord of the Rings or Dark Tower reader.  I begrudgingly sat through the LOTR films and cringe at the thought of a Dungeons and Dragons role-playing game.   Yet, I was spellbound by Matt Fraction’s take on Thor and the Asgardian Gods of legend as it unfolded in this collection of his one-shots.  Stories that tell the tale of magic apples, manipulative frost giants, vengeful fathers and defiant sons, and forgotten warriors unfold with a narrative that draws the reader in and refuses to let go.  With art chores from the likes Patrick Zircher, Dan Brereton, Doug Braithwaite, Clay Mann, and Marko Djurdjevic, not only does the book read well, but it looks gorgeous to boot.  The range in styles is never jarring to the reader and the narrative flows from one story to the next with ease.  While I also enjoy the ongoing series by Thor writer J. Michael Straczynski, I hope one day that Fraction is handed the keys to Asgard for what would promise to be a spectacular run.

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Coming Attractions: Adam

May 8, 2009 · Leave a Comment

It’s been my feeling that when you find yourself doing a romantic comedy, taking a new spin on the circumstances is imperitive.  Some of my favorite “romcoms” have been ones where the direction was taking something cliche (boy+girl=romance) and doing something truly original with this by adding elements that make the characters come alive.  Grosse Pointe Blank, Definitely, Maybe, The Baxter, and even Elizabethtown all manage to pull this off in their own ways and that’s why these films still work in my mind as really amazing romantic comedy pictures where the flaws are greatly overshadowed by the ability of the people involved.  Adam looks like it could join those pictures listed as a new take on a tired genre and really show what unique characters can do even in the most tired film genres.  The idea of taking a real condition like Asperger syndrome and playing it for comedic effect may not sit well with some, but since the condition really highlights the struggles that we all can face with social contact, I think it works here.  Hugh Dancy is a capable actor that should be able to balance the condition of this character with the need for timing and charm without venturing into I Am Sam or The Other Sister territory.  Also, the presence of such talent as Rose Byrne, Peter Gallagher and Frankie Faison (in a supporting role) adds a layer of credibility.  Here’s hoping.

Synopsis:  Adam is about the relationship between a somewhat socially dysfunctional young man and the woman of his dreams.

Release Date:  July 29, 2009

{The song in the trailer is ”When You Love Somebody” by The Fruit Bats}

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Purchased on Wednesday: Foolkiller: White Angels, Perhapanauts vol. 3, Dan Dare Omnibus

May 4, 2009 · Leave a Comment

foolkiller_white_angels_tpbjpgFoolkiller: White Angels:  I was hesitant to give this series a shot when the first mini came about.  Foolkiller isn’t a character that can be made into something memorable too easily.  In the mainstream Marvel comics that he first appeared in, he was just a crazy man with a big hat and a disintegration gun.  Seriously.  He killed “fools” or those that he deemed as consisting of behavior that was foolish.  He wasn’t a hero remotely (barely even an anti-hero), but he was also not really a villain.  Frankly, the irony was that he acted like a fool and many different people carried his legacy on since, y’know, the character kept getting killed off.  Flashforward to a year ago when novelist Greg Hurwitz was interested in writing comics at Marvel.  He apparently was extremely interested in the Punisher, but at the time Garth Ennis’ truly superior run was still underway in Marvel’s MAX line of comics.  The editors proposed taking the Foolkiller character and seeing if Hurwitz could do anything with him.  Hurwitz, reluctantly up for a challenge, came up with a fresh take on the character: vigilante performance artist.  It actually worked.  The first Foolkiller series was gritty, dark, and violent following a protagonist that was governed by his own moral code and hunting down those he deemed unworthy to live for their crimes, punishing them in creatively gruesome ways and displaying them for all the world to see as the fools they were.  Imagine the Joker as a good guy and you’ve pretty much got the new Foolkiller.  The Foolkiller: White Angels series was another adventure of Foolkiller taking on the bad guys, this time white supremacists in LA.  The added bonus was that since Hurwitz had proven himself on the title, the editors gave him a crack at adding the Punisher as a costar for half the issues.   The story has simple villains and a pretty straightforward arc with minimal surprises, but really, do you actually need any?  Good Rated R fun for all.

perhapanauts_v3_cov_mediumjpgPerhapanauts vol. 3:  Todd Dezago and Craig Rousseau created the Perhapanauts way back in 2005 and published the initial issues through Dark Horse Comics.  It’s a shame that no one read this book at that time since it is extremely well-done and fun.  I personally didn’t hear about it until the late Mike Weiringo posted a sketch of the characters on his blog and gave a shout-out to the creators and said that people should give it a shot.  The next Wednesday at my shop, I grabbed the first trade and was hooked.  The characters were fun, the art was simple but clean and well done, and the story of a group of paranormal investigators (who were in turn made up of the paranormal) was played more for the Challengers of the Unknown than Hellboy that it was able to stand on its own.  With volume 3, the title has moved to Image comics and you can tell the creators are very excited about this.  Image has done a rather large advertising push for the book and has also packed this trade with enough bonus features to make fans new and old feel justified in their purchase.

17906270jpgDan Dare Omnibus:  Apparently, Dan Dare is the biggest thing ever in England.  Twice as awesome as America’s Flash Gordon or Buck Rogers and also twice as old and timely.  I’d heard the name one or two times when imported comic book talent would talk about work they’d done before breaking in with the Big Two (Marvel and DC), but I’d never really read anything about the actual character.  Well, there I was talking to my local comic shop owner and he noticed I was a huge Garth Ennis fan.  ”Do you like his war comics?” he asks.  ”Yup.  Totally love his war comics and really anything he does that isn’t over-the-top gore or toilet humor,” I reply.  ”Well, what if I could give you a Garth Ennis war comic set in space that hits all the same highlights of his best stuff?”  Lo and behold, the Dan Dare Omnibus from the issues published by the now defunct Virgin Comics and republished in trade form by Devil’s Due Publishing.   Ennis infuses every scene with the grit and intensity of a WWII film and keeps the dialogue and action uber-tight.  Gary Erskine takes the art reins and turns in some of his best work pretty much showing off how he and Chris Weston are some of the best British artists out there (Weston doesn’t contribute to this book, but Erskine’s style is eerily similar to his).  While there are nods to what I’m assuming are the classic characters and relationships that were present in previous versions, I was able to follow the arcs with ease and didn’t feel like I was missing out on anything that was integral.  Effectively, this is the Battlestar: Galactica equivalent in updates for the Dan Dare property.  It’s the complete story, so enjoy.

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