Archive | March, 2011

Coming Attractions: Elektra Luxx

7 Mar

Sometimes you see a trailer for a film you’ve never heard of.  You’ll be surfing the web watching random videos or seeing what actors you like are up… and then you spot something that looks interesting.  So you give it a watch… and are floored.   Elektra Luxx is small movie that seems to have come out of nowhere and stars  a cast of superb actors that have been in some really big films lately and appear to have stopped by to guest in this one.  Carla Gugino, Joseph Gordon-Levitt, Josh Brolin, Timothy Olyphant, Emmanuelle Chriqui, and Malin Akerman headline what looks to be a very smart  comedy about life after the fame of pornography.  The trailer is tight and delivers laughs and spotlight moments for the actors without seemingly giving too much of the overall plot away.  There’s an atmosphere of classic Hollywood romance romps here (albeit with a more adult subject matter than The Apartment, etc) and there appears to be potential for Gugino to finally have a headlining role that shows her talents to a wider audience.

Synopsis: Recently retired from the adult film industry, superstar Elektra Luxx (Carla Gugino) is pregnant with the child of late rock star Nick Chapel. She is trying to make ends meet by teaching a community college sex education class aimed at housewives when a figure from her past, flight attendant Cora (Marley Shelton), approaches her with a proposition. In exchange for the (stolen) lyrics to Nick Chapel’s last record, all of which is about Elektra, Cora needs Elektra to seduce her fiancée. Elektra reluctantly agrees to do this favor, setting in motion a series of hilarious events which will see her come face to face with detectives, sex bloggers, emotionally unstable neighbors and the Virgin Mary herself as she wrestles with the prospect of motherhood and tries to become a person of substance.

Release Date:  March 11, 2011 (limited)

Why I’ll Miss Vertigo Crime

6 Mar

A long time ago, on spinner racks far, far away, there was a place where thin, musty paperback novels were a haven for people looking for a great detective noir story.  This genre of novel was known as “pulp fiction” and has since become extinct in literature unless you happen upon a mildew-smelling bookstore in a small midwestern town that has a great “five for a $1″ sale going on.

That all changed when Vertigo, DC Comics mature readers imprint, created their Vertigo Crime line.  Published in black and white, digest sized hardcover formats, Vertigo Crime’s mission was to tell great noir stories with some of the best writers in fiction and comics paired with fresh artistic talent.  While not every book was a masterpiece, even the worst of the line was a still a great graphic novel and showed that there was still room for the line to work out what worked and what didn’t.  Unfortunately the management shake-up that DC Comics went through last year has officially killed any expansion of this line and there are about a handful of titles that will be released in 2011 before the line is officially canceled. I’d like to highlight my favorite five books in the line as well as give some press to the last three books being released this year that I hope people will give a chance if for no other reason than their quality can hope to be as great as those featured here.

Filthy Rich:  If there’s anyone at Vertigo that deserves to spearhead this line, it’s Brian Azzarello.  After making a name for himself through his now classic 100 Bullets, Azzarello has established himself as a true voice in the genre of crime.  This particular book is almost like a highlight reel of his work: A flawed, failed anti-hero seduced by the promise of money and a gorgeous woman, wrapped up in a scheme that he couldn’t see coming… even the art by newcomer Victor Santos emulates Azzarello’s old partner, Eduardo Rios from his 100 Bullets days. Richard “Junk” Junkin goes from washed up football player to used car salesman to bodyguard and patsy all in the name of back-stabbing noir excellence A solid start to the line and a great done-in-one for fans of the genre.

The Bronx Kill:  Sometimes the search for the truth is the best motivatoin for a protagonist.  It’s a pure and eternal quest and in Peter Milligan’s entry in the Vertigo Crime line, The Bronx Kill, our protagonist, author Martin Keane, just wants to know what happened to his wife and why no one believes that he’s innocent in her disappearence.  What he ends up discovering will be more than the answers he’s prepared for. Milligan uses many tactics to get you to doubt the veracity of Martin’s cause just as he has trouble proving it to others and also utilizes a very neat framing device of using actual marked-up pages of Martin’s manuscript about his family’s life mixed in throughout the narrative.  Being a veteran of many Vertigo and Marvel comics including HellblazerX-Statix, and Shade the Changing Man, Milligan is aided in this genuine mystery story by James Romberger who adds simple but haunting visuals to a page-turning tale.

Noche Roja:  Sometimes the best character for a crime story is the classic one: the washed up private investigator with a drinking problem.  It’s a go-to character for a reason.  In this south-of-the-border tale of murder and corruption, Jack Cohen is hired to track down a killer who is targeting factory girls in Mexico.  As he digs deeper into the case not only does he discover a personal connection to the killings but also a chance to redeem himself for the sins of his past.  Written by Ben Oliver who also penned the acclaimed Exterminators title for Vertigo as well as Gen 13 for Wildstorm and drawn by Jason Latour of the Image Comics The Expatirate and Scalped from Vertigo, Noche Roja is a solid story that lets its protagonist be more than just a cliche and elevates a simple detective story to a brutal action-packed climax.

Area 10:  One of the slightly sci-fi tinged entries in the line, Area 10 tells the story of Adam Kamen, an NYPD detective tracking the serial killer “Henry the Eighth” who is decapitating his victims for unknown reasons.  When Kamen is attacked and suffers an injury to his brain, he’s suddenly able to see another side to the killings and the investigation thanks to newly revealed sensory abilities.  The book is masterfully drawn by Chris Samnee (Thor the Mighty Avenger, Ultimate Spider-Man) and written by veteren Law & Order author Christos Gage (also the writer of Avengers Academy from Marvel) and manages to make you not only be drawn into the story but also doubt the innocence of the protagonist.  One of the best of the line due to its combination of suspense and twists.

The Rat Catcher:  Currently my favorite of the Vertigo Crime books.  Writer Andy Diggle (The Losers, Daredevil) sets up the pieces of a masterful suspense story packed with action as a washed-up FBI agent hunts down the urban legend of the FBI: The Rat Catcher.  This assassin has been a thorn in the side of the FBI for years, killing their best informants no matter how much security they’re under.  The story unfolds with pitch perfect precision as Diggle makes you zig zag through the plot and constantly second guess the motives of the characters.  Aiding him is Victor Ibanez who I hope gets more stateside work soon.  Ibanez’s character design and layouts are extremely fluid and detailed while not going overboard.  He and Diggle manage to craft what has been the best example of how good the Vertigo Crime books could have been and remains my number one recommended of the line.

Before the line ends with a whimper, the following three books will be released. I’ve included their solicitation text and covers.  I hope you’ll pick them and any of the other titles up because even if I didn’t list FogtownA Sickness in the FamilyDark Entries,The Chill, and The Executor here, they’re all great books.

99 Days:

Written by Matteo Casali; Art by Kristian Donaldson

99 Days is the story of Antoine Boshoso Davis, who is living the dream as a rookie homicide detective for the LAPD. But 12 years ago he was living a nightmare. As a young Hutu in Rwanda, Antoine was forced to become a child soldier with the rebel Hutu militia.Like so many others he was caught up in the slaughter of a country gone insane – murdering scores of men, women and children with a machete. Antoine fled Rwanda for LA, where he grew into a quiet, sensitive man with a deep need…

Cowboys:

Written by Gary Phillips; Art by Brian Hurtt

From the author of the “Ivan Monk” detective novels comes a riveting original graphic novel about violence and race in modern society. Cowboys revolves around a racially motivated police shooting of Deke Kotto, a young African American man, by Tim Brady, a white undercover cop, inside a swanky club frequented by hip-hop stars, gangsters, Hollywood celebs and the drug kingpins that finance the whole operation. But the victim is actually an undercover officer on the trail of the gangsters,…

 

Return to Perdition:

Written by Max Allan Collins; Art by Terry Beatty

A new chapter in the saga of the O’Sullivan crime family from the acclaimed movie Road to Perdition. The time is America in the early 1970’s and our third generation hero, Michael Satariano, Jr. is a Vietnam vet recently returned to the States. He doesn’t know that his father’s real name was Michael O’Sullivan, and is unaware of the confl ict between his dad, his grandfather and John Looney – the criminal godfather of Rock Island, Illinois. But when he’s recruited by the Mob as a hit-man, he’s going to learn the hard way that you can never outrun (or outgun) your past. (This is not the final cover design)

Purchased on Wednesday: An Elegy for Amelia Johnson, The Question: Pipeline, Morning Glories vol. 1,

6 Mar

Morning Glories vol. 1: Nick Spencer has been a rising star in the comic scene for awhile now.  His mini-series for Image Comics,  Existence 2.0/3.0 and Infinite Vacation, his Jimmy Olsen co-feature and THUNDER Agents for DC Comics, and the just released Iron Man 2.0 all show his talent as a writer.   The one book I hadn’t been able to pick up was Morning Glories.  All I’d ever heard from people regarding it was how great of a title it was.  I have to say, I’m slightly underwhelmed and that’s most likely due to an unfortunate similarity to a popular TV show than weaknesses in Spencer’s writing.  See, Morning Glories IS a very well done comic.  The story follows six teenage prodigies who are linked by their shared birthday and their current situation of being trapped at the mysterious Morning Glory Academy with no idea how to escape or what the motive behind keeping them prisoners is.  The characters are unique, the scripts are well written, and the hook is definitely there to keep me interested as to what the secrets of Morning Glory Academy might be.  The problem is that there is no way around ignoring the giant elephant in the room:  if it wasn’t for the television show, Lost, this title wouldn’t exist.  Flashbacks, hidden rooms and dungeons, characters with surprising secret pasts that you didn’t see coming… It’s all something that I’ve seen before and while it’s currently being done very well here (and hopefully with a better ending in mind than the final season of Lost had), I just can’t shake that Spencer’s other works had less of a striking similarity to RECENT pop culture phenomenons.  I’ll keep following the title and I do hope it lives up to the hype generated by critics and fans, but for the most part, I really hope the “purple ghost creature” isn’t the Morning Glories version of the smoke monster.

The Question: Pipeline:  I loved the DC Comics character, The Question, the moment I first saw him in a random copy of DC’s Who’s Who back in the 80′s.  The blank face, suit and tie, fedora and smoke… All striking visuals coupled with the premise of a character out to find the truth no matter what the cost.  This comic, though, is not starring THAT version of The Question.  During DC’s maxi-series 52, Vic Sage, The Question’s alter ego, died of cancer.  Before his passing, he trained Batman supporting-cast member, Renee Montoya, as his protege and she took up the identity of the faceless avenger.  Author Greg Rucka was responsible for brining Montoya from her humble beginnings in Detective Comics to this resulting plot in 52 and he continued to write the new Question in the follow-up mini-series to 52, The Question: The Five Books of Blood and Final Crisis: Revelation.  Renee has shaped into a very interesting version of The Question and while she ran the risk of fan backlash typical in comics of, “Not my {insert superhero name here},” the deft hand Rucka used to tell her story and its sequels showed just how engaging she could be in the identity.  The Question: Pipeline is the collection of The Question co-feature that Rucka did with the amazing Cully Hamner (Red, Blue Beetle, Firearm) and follows Renee as she is pulled into a complex human trafficking ring and its ties to a larger danger looming from a classic DC villain.  The Huntress also appears and is given a welcome costume redesign by Hamner that unfortunately didn’t stick past this series.  This is also Rucka’s swan song for the character since he has sworn off DC Comics for the near future to focus on his own characters and novels.  His work on Montoya will be missed and I hope someone with the same love of the character continues to show just how great The Question can be with her as the protagonist.

An Elegy for Amelia Johnson HC:  I’ve always been a huge fan of independent graphic novels that feel like movies.  This is not to say that I enjoy it when screenwriters use failed screenplay pitches to sell a concept as a graphic novel.  I mean to say that when an author finds a truly qualified artist and works diligently to compose a visual narrative that has well realized characters and a plot that draws you, the reader, in so tight that it’s almost like the surrounding world has gone dark like a theater.  I’ve read a great many graphic novels at this point my life and I’ve got to say that while An Elegy for Amelia Johnson is not one of the best it’s surely one of the most emotionally resonant.  The book follows two mutual friends of the title character, Amelia, who are tasked to go out into the world and deliver messages to people from her past.  The duo, Henry and Jillian, have known each other as mutual acquaintances, but have never been truly close.  Their own lives seem to be missing something personal and the act of examining the life of their mutual friend brings them not only closer together but also closer to finding focus again as artists. Written by Andrew Rostan (who financed the project with his winnings from “Jeopardy.” True Story.) with art by Dave Valeza and Kate Kasenow, An Elegy… has some moments that are riddled with clunky dialogue and poor pacing whereas a climax seems to be missing or hidden within layers of melodrama.  While I can tell that Rostan has a desire to tell a very deep tale, those moments where he gets tripped up do have the tendency to make this work less than stellar.  Fortunately, Valeza and Kasenow bail out the story whenever these potholes occur.  While I’m not sure of the division of duties between the two artists, I’d commend them both equally for their ability to work within Rostan’s story to make the ending invoke an emotional response and be an almost cinematic finale.  Another hidden gem from Archaia Press.

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